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Physicality has hitherto served a special role in the moment of reception and physical encounter with the artworks, but this time it is expressed in the immediate and improvisational use of materials throughout the creative process. This historical dimension may be underscored by the archaic texture that resembles marble. Activating the foreground (as a transitory zone, at once inside and outside), the artist glued his own poem on the black walls around.
The text can be conceived of as a prologue, an introduction to the exhibition, but its profound referentiality and poetic language hinder access to its interpretation. His works have been featured in group shows at Manifesta Luxemburg, Fridericianum and Moderna Museet Stockholm.