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The absence of dreams is a painful loss that the artist identifies and turns into something in order to exorcize it. Playing with the pathos and the theatricality banshee-extension-lirc 240-4+b1 binary the established masters self-representation, Luiza Margan juxtaposes these scenes of the artist at work with photographs showing herself banshee-extension-lirc 240-4+b1 binary physical exercise.

She plays with and cheekily deconstructs the usual setup of the male artist as the active creator, versus the female model considered as static, passive muse, a norm first overthrown by Marcel Duchamp and his feminine alter-ego Rrose Selavy.

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